Please update your browser for the best experience. The artist entered the movie theater with crotchless pants and said "what you watch here is a reality". Her leggings have a hole cut into the crotch. Born of the 1968 revolt against modern consumer and technical society, her defiant feminist action was memorialized in a picture taken the following year by the photographer Peter Hassmann in Vienna.VALIE EXPORT had the image screenprinted in a large edition and fly–posted it in public spaces. Since the late ‘60s, VALIE EXPORT has concentrated on the body in her work, with the intention of challenging – in a society characterized by a false egalitarianism of gender – contradictions, pressures, and violence toward women. In 1968, the self-named Austrian performance artist . VALIE EXPORT, Elongation, 1976, b/w silver gelatine print on baryta paper laid on chip board, 82 × 56 cm. And then one day she saw the work of 20th century Austrian visual and performance artist Valie Export. Photograph by Kathryn Carr (c) The Solomon R. Guggenheim Foundation, New York. Export is sat on a bench, her legs spread wide and her feet bare. VALIE EXPORT (b. 1968, printed late 1990s. ... (Action Pants: Genital Panic, 1968). 191. Her direct influence can also be seen on a number of subsequent artists. Action Pants: Genital Panic. Valie Export entered a cinema wearing trousers with a triangle of fabric removed at the crotch and walked between the rows of seated viewers with a machine gun in her hands. Courtesy: ... Action Pants: Genital Panic (1968), though they are no less forceful. Valie Export. It took place in a Munich art cinema; Export walked among the audience wearing pants from which the crotch had been cut out, exposing her genitals to them. VALIE EXPORT - Action Pants: Genital Panic, 1969. The Hessel Museum of Art at Bard College in Annandale-on-Hudson, N.Y., has just opened a show built around Ms. Export’s influential work. Photo Ben Westoby. The artist Valie Export. Audio from Pictures by Women: A History of Modern Photography. Create Cancel. Calling her body ‘the seam’ – a term that implies rupture, but also repair – EXPORT challenged social and sexist conventions across physical, political and psychic domains. Create your first list. The … A way to share and manage lots. Richard Saltoun. In 1969, VALIE EXPORT performed Action Pants: Genital Panic during the screening of an erotic film. Valie Export Collection by 4D. (63.3 x 47 in.) VALIE EXPORT Identity Transfer 3. (63.3 x 47 in.) Untitled. For the re-enactment, Abramović was wearing the same outfit as EXPORT (a leather jacket and black jeans) while sitting on a chair and … Estimate £10,000 - 15,000 Sold for £17,500. Create Cancel. Feb 13, 2014 - Explore 4D's board "Valie Export" on Pinterest. It was time to make a punk band. Valie Export. Export kulki müncheniläisessä taide-elokuvateatterissa penkkirivien välissä jalassaan housut, joiden haaroista oli leikattu pala pois ja jotka paljastivat sukuelimet. Artwork page for ‘Identity Transfer 2’, VALIE EXPORT, 1968, printed late 1990s Austrian artist VALIE EXPORT adopted her pseudonym in 1967 to reject the names of both her father and of her former husband and assume a sort of commercial brand identity. Export’s most iconic image, and a key part of Saltoun’s display, is Action Pants: Genital Panic, a set of six identical photographs taken in 1969 by Peter Hassmann in Vienna. VALIE EXPORT Action Pants: Genital Panic. | Tate Images. Screenprint. VALIE EXPORT Identity Transfer 2. Action Pants: Genital Panic was a 1968 performance by feminist performance artist, Valie Export memorialized as a series of six identical posters. David Noonan. Action Pants: Genital Panic. Valie Export, Action Pants: Genital Panic (1969) VALIE EXPORT. Valie Export . The associated photographs were taken in 1969 in Vienna, by photographer Peter Hassmann. 24.Eki.2012 - VALIE EXPORT. Our site uses technology that is not supported by your browser, so it may not work correctly. 26 3/8 x 19 5/8″ (67 x 49.8 cm). The most iconic work from the artist's oeuvre, the present photograph memorialises her original radical performance of 1969. Aktionshose: Genitalpanik, 1969. boîte à cinéma de Valie Export. The most iconic work from the artist's oeuvre, the present photograph memorialises her original radical performance of 1969. A more explicit re-thinking of the female body as a weapon rather than a sexual object comes in the form of Action Pants: Genital Panic. In her 1968 performance Aktionshose:Genitalpanik (Action Pants: Genital Panic), Export entered an art cinema in Munich, wearing crotchless pants, and walked around the audience with her exposed genitalia at face level. Untitled. Follow Favorite. On display at Tate Liverpool part of Constellations. Valie Export (usein suuraakkosin VALIE EXPORT, aiemmin Waltraud Höllinger, omaa sukua Lehner, s. 17. VALIE EXPORT Identity Transfer 1. Action Pants: Genital Panic - Valie Export - Lot 394 - Result: €15860 - Find all details for this object in our online catalog! Feminist avant-garde of the 1970s: Valie Export 'Action pants: genital panic', 1969 #valieexport MQ – MuseumsQuartier Wien shelagh.delaney 4 years ago EIKON open call for women photographers aged 45 years and over, under the patronage of VALIE EXPORT—more in June on Say Say Say, Inc. 4 years ago EIKON MQ Wien Q21 Say Say Say Inc. Valie Export. In her practice, performance is a means of investigating physical and psychological limits or is used as a device to destabilize sexist ideologies. When you enter the museum, Abramovic, wearing a leather jacket and black jeans and holding a machine gun, is sitting on the chair at the center of the stage, and stares … Action pants (1969) – Valie Export. Film and audio. Valie Export; Action Pants: Genital Panic, 1969–2001; 160.8 x 119.5 cm. Marina Abramovic performing VALIE EXPORT’s Action Pants: Genital Panic (1969) at the Solomon R. Guggenheim Museum on November 11, 2005. 1968, printed late 1990s. Valie Export: Der Mensch Als Ornament (Man as an Ornament), 1976/1980, silver gelatin print on chip board, 55 by 87 inches; at Thaddaeus Ropac. Action Pants: Genital Panic, is arguably VALIE EXPORT's most famous performance. 10 Pins • 56 Followers. 1969. 1940) Aktionshose: Genitalpanik (Action Pants: Genital Panic) Theseustempel, Körperkonfiguration, Valie Export, 1982. Remake of VALIE EXPORT’S ‘Touch Cinema’ by Valie Export Society, 2000 _____ Action Pants: Genital Panic (performance, 1969) ‘In her 1968 performance Aktionshose: Genitalpanik (Action Pants: Genital Panic), Export entered an art cinema in Munich, wearing crotchless pants, and walked around the audience with her exposed genitalia at face level. Create your first list. Her new name was created as both a new, self-fashioned identity and an artistic concept, with VALIE an alternative spelling of her nickname (Walie) and EXPORT inspired by the branding on the pack for Smart Export cigarettes. See more ideas about performance art, export, female artists. Aktionshose: Genitalpanik (1969) – Valie Export. Action Pants: Genital Panic, is arguably VALIE EXPORT's most famous performance. close. EXPORT, a performance artist and filmmaker, creates modes of disruption with her body, and in doing so, provokes social change. VALIE EXPORT - Action Pants: Genital Panic, 1969 Valie Export (often written as 'VALIE EXPORT') (born May 17, 1940 in Linz as Waltraud Lehner, later Waltraud Höllinger) is an Austrian artist.Her artistic work includes video installations, body performances, expanded cinema, computer animations, photography, sculptures and publications covering contemporary arts. Renouncing the surnames of her father and husband, emblems of “patriarchal ownership”, EXPORT had a creative rebranding; literally, appropriating the name of a popular cigarette brand. VALIE EXPORT emerged. In the last decade, there have been a number of exhibitions and screenings dedicated to her work and EXPORT's early performance work has become an important touchstone for the medium; Action Pants, Genital Panic (1969) was one of the canonical works reenacted by Marina Abramović in her Seven Easy Pieces (2005). A way to share and manage lots. TAP and TOUCH Cinema and Action Pants: Genital Panic (both 1968-69) are both forms of what Export terms “expanded cinema”. Artist: Valie Export (Austrian, born 1940) Title: Action Pants: Genital Panic, 1969–2001 Medium: gelatin silver print Size: 160.8 x 119.5 cm. Pictures by Women: A History of Modern Photography presents a selection of outstanding photographs by women artists, charting the medium’s history from the dawn of the modern period to the present. For much of photography’s 170-year history, women have expanded its roles by experimenting with every aspect of the medium. The Museum of Modern Art, New York. She is best known for her photography and radical performances that explore the female body and the 'male gaze'.. Born as Waltraud Lehner, later Waltraud Höllinger, in 1967 the artist created her new identity as VALIE EXPORT, which became her trademark. 192. Juan Muñoz. Action Pants: Genital Panic, EXPORT, VALIE, 1969, 6 screenprints on paper. VALIE EXPORT is an Austrian avant-garde feminist artist. Concealing her naked chest with a mini makeshift ‘movie theatre’, Austrian-born artist and feminist icon VALIE EXPORT stood amongst the public in 10 European cities between 1968-1971, coaxing pedestrians to reach inside her boxed-up torso and touch her breasts. 1968, printed late 1990s. Export’s 1969 performance piece “Action Pants: Genital Panic” was the crucible for Schlieske’s rage, and inspired her to use her musical talents to channel her frustrations into art that was also a political statement and protest. Estimate £20,000 - 30,000 ‡ ♠ Follow Favorite. The name VALIE EXPORT is an important part of her practice, adopted by the artist in 1967 it represents her rejection of patriarchal structures. Valie Export, "Action Pants: Genital Panic" (1969) A more explicit re-thinking of the female body as a weapon rather than a sexual object comes in the form of "Action Pants: Genital Panic." 1969. Her action was intended to confront the cliché of women’s cinematic representation as passive objects.